The Ministry of Utmost Happiness
This blog is part of a lab activity assigned by Dr. Prof. Dilip Barad on The Ministry of Utmost Happiness. Arundhati Roy’s non-linear narrative reflects trauma through fragmented stories, linking the Khwabgah, Jannat graveyard, and Kashmir, showing how shattered lives can only be told through a shattered form. Part 1: The Ministry of Utmost Happiness – Khwabgah This video lecture offers a detailed analysis of Arundhati Roy’s The Ministry of Utmost Happiness, focusing on its complex narrative structure, interwoven characters, and major thematic concerns. The speaker explains that the novel’s five-part structure and shifting settings across India create a dense web of stories in which characters move between major and minor roles, often requiring multiple readings to fully understand their significance. The novel’s opening in a graveyard named Jannat establishes a liminal space where life and death coexist, blending realism with elements of magic realism. This setting int...